Mozart, Sarti, Haydn, Martín y Soler, Salieri

Mozart & friends

Mozart & friends

Benjamin Appl baryton
Les Talens Lyriques
Christophe Rousset

Wolfgang Amadeus Mozart (1756-1791)
« Rivolgete a lui lo sguardo » (Cosi fan tutte, K. 588, 1790)
« Mentre ti lascio, oh figlio », aria de concert K. 513 (1787)

Giuseppe Sarti (1729-1802)
« Come un agnello » (Fra i due litiganti il terzo gode, 1782)

Wolfgang Amadeus Mozart (1756-1791)
Ouverture de La clemenza di Tito, K. 621 (1791)

Joseph Haydn (1732-1809)
« Chi spira e non spera » (L’anima del Filosofo, 1791)

Wolfgang Amadeus Mozart (1756-1791)
« Io ti lascio, oh cara, addio », aria de concert K. A245/621a (1791)
« Un bacio di mano » aria de concert K. 541 (1788)
Symphonie nº 36 en do majeur « Linz », K. 425 (1783)

Vicente Martín y Soler (1754-1806)
« Dov’è dunque il mio ben ?… Vo’ dall’infami viscere » (Una cosa rara, 1786)

Antonio Salieri (1750-1825)
« Torbido mar che freme » (La passione di Gesù Cristo, 1776)

Wolfgang Amadeus Mozart (1756-1791)
« Vedrò mentr’io sospiro » (Le nozze di Figaro, K. 492, 1792)

“In this program, I wanted to highlight composers such as Martín y Soler, Sarti and Salieri, who influenced the style of the great Mozart. For me, this artist had a way of embracing other people’s music and metabolizing it, making it his own and suddenly giving us his own genius by absorbing what he found best in others. It therefore seemed fundamental to me to take an interest in the contemporaries of the master who gave birth to many ideas in him.”

– Christophe Rousset