Christophe Rousset is now invited to appear with Les Talens Lyriques all over Europe (Opéra National de Paris, Opéra Comique, Théâtre des Champs-Élysées, Philharmonie de Paris, Opéra Royal de Versailles, Dutch National Opera, Amsterdam Concertgebouw, Lausanne Opéra, Teatro Real Madrid, Vienna Staatsoper and Theater an der Wien, Théâtre Royal de La Monnaie and Bozar in Brussels, London’s Wigmore Hall and Barbican Centre, and so on), as well as on tour in other parts of the world (Mexico, New Zealand, Canada, United States, etc.).
At the same time he continues to pursue an active career as a harpsichordist and chamber musician, playing and recording on some of the world’s finest period instruments. His recordings of the harpsichord works of Louis and François Couperin, Rameau, D’Anglebert, Royer, Duphly, Forqueray, Balbastre and Scarlatti, and those devoted to J. S. Bach (Partitas, Goldberg Variations, Harpsichord Concertos, English Suites, French Suites, Klavierbüchlein für Wilhelm Friedemann, Well-Tempered Clavier) are regarded as references.
He is active too in the field of research and writing, through critical editions, the publication of monographs devoted to Jean-Philippe Rameau and François Couperin (Actes Sud, 2007 and 2016, respectively).
2017 saw the publication of a series of interviews by Camille de Rijck in which Christophe Rousset shares his thoughts on music: L’impression que l’instrument chante, Éditions de la Cité de la Musique – Philharmonie de Paris (La rue musicale – Entretiens).
Christophe Rousset is a Knight of the French Legion of Honour, a Commander of the Order of Arts and Letters, and a Knight of the National Order of Merit.