{"id":1085,"date":"2019-01-25T10:23:12","date_gmt":"2019-01-25T09:23:12","guid":{"rendered":"https:\/\/www.lestalenslyriques.com\/les-talens-lyriques\/"},"modified":"2025-06-25T13:41:58","modified_gmt":"2025-06-25T11:41:58","slug":"les-talens-lyriques","status":"publish","type":"page","link":"https:\/\/www.lestalenslyriques.com\/en\/les-talens-lyriques\/","title":{"rendered":"Les Talens Lyriques"},"content":{"rendered":"

[vc_row el_id=”block1″][vc_column width=”1\/12″][\/vc_column][vc_column width=”5\/6″][vc_column_text css=”” align=”center” title=”Our repertoire” subtitle=”From early Baroque to Romantism” subtitle_color=”#FDC60D”]Championing a wide operatic and instrumental repertoire spanning from early Baroque to early Romanticism, Les Talens Lyriques seeks to illuminate the great masterpieces of music history by exploring rarer or previously unpublished works\u2014often serving as missing links in Europe\u2019s musical heritage. This commitment to musicological research and editorial work remains a priority for the ensemble and is central to its esteemed reputation.[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”backgroundGradientEventHome”][vc_column]\r\n

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\r\n\t\t\t\t\"Monteverdi\"\t\t\t<\/div>\r\n\t\t\t
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Monteverdi<\/div>\t\t\t\t

L\u2019Incoronazione di Poppea | Il Ritorno d\u2019Ulisse in patria | L\u2019Orfeo<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Cavalli\"\t\t\t<\/div>\r\n\t\t\t
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Cavalli<\/div>\t\t\t\t

La Didone | La Calisto<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Landi\"\t\t\t<\/div>\r\n\t\t\t
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Landi<\/div>\t\t\t\t

La Morte d\u2019Orfeo<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Pallavicino\"\t\t\t<\/div>\r\n\t\t\t
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Pallavicino<\/div>\t\t\t\t

Le amazzoni nell\u2019isole fortunate<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Legrenzi\"\t\t\t<\/div>\r\n\t\t\t
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Legrenzi<\/div>\t\t\t\t

La divisione del Mondo<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"H\u00e6ndel\"\t\t\t<\/div>\r\n\t\t\t
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H\u00e6ndel<\/div>\t\t\t\t

Scipione | Riccardo Primo | Rinaldo | Admeto | Giulio Cesare | Serse<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Lully\"\t\t\t<\/div>\r\n\t\t\t
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Lully<\/div>\t\t\t\t

Pers\u00e9e | Roland | Bell\u00e9rophon | Pha\u00e9ton | Amadis | Armide | Alceste | Isis | Th\u00e9s\u00e9e<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Desmarest\"\t\t\t<\/div>\r\n\t\t\t
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Desmarest<\/div>\t\t\t\t

Didon | V\u00e9nus et Adonis<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Mondonville\"\t\t\t<\/div>\r\n\t\t\t
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Mondonville<\/div>\t\t\t\t

Les F\u00eates de Paphos<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Cimarosa\"\t\t\t<\/div>\r\n\t\t\t
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Cimarosa<\/div>\t\t\t\t

Il Mercato di Malmantile | Il Matrimonio segreto<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Traetta\"\t\t\t<\/div>\r\n\t\t\t
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Traetta<\/div>\t\t\t\t

Antigona | Ippolito ed Aricia<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Jommelli\"\t\t\t<\/div>\r\n\t\t\t
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Jommelli<\/div>\t\t\t\t

Armida abbandonata<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Martin\t\t\t<\/div>\r\n\t\t\t
\r\n\t\t\t\t
Martin y Soler<\/div>\t\t\t\t

La Capricciosa corretta | Il Tutore burlato<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Mozart\"\t\t\t<\/div>\r\n\t\t\t
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Mozart<\/div>\t\t\t\t

Mitridate | Die Entf\u00fchrung aus dem Serail | Cos\u00ec fan tutte | Die Zauberfl\u00f6te<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Salieri\"\t\t\t<\/div>\r\n\t\t\t
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Salieri<\/div>\t\t\t\t

La Grotta di Trofonio | Les Dana\u00efdes | Les Horaces | Tarare, Armida<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Rameau\"\t\t\t<\/div>\r\n\t\t\t
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Rameau<\/div>\t\t\t\t

Zoroastre | Castor et Pollux | Les Indes galantes | Plat\u00e9e, Pygmalion<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Gluck\"\t\t\t<\/div>\r\n\t\t\t
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Gluck<\/div>\t\t\t\t

Bauci e Filemone | Alceste | Orph\u00e9e et Eurydice | Armide<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t

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\r\n\t\t\t\t\"Spontini\"\t\t\t<\/div>\r\n\t\t\t
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Spontini<\/div>\t\t\t\t

La Vestale<\/p>\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>\r\n[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/2″][vc_column_text css_animation=”none” css=””]Beyond the operatic repertoire, the Ensemble explores a diverse range of musical genres, including the madrigal, cantata, air de cour, symphony, and the full spectrum of sacred music\u2014such as Masses, motets, oratorios, and Le\u00e7ons de T\u00e9n\u00e8bres<\/em>. Each season, Les Talens Lyriques performs worldwide, with ensembles ranging from intimate groups of a few musicians to large forces of over sixty performers spanning all generations.[\/vc_column_text]

\r\n\t\"Visuel-TalensLyriques-01\"<\/div>\r\n
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\n \n Learn more about Les Talens Lyriques <\/a>\n <\/div>\n\n\n\t
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\n \r\n
\r\n\tLes Talens Lyriques<\/div>\r\n\r\n

Les Talens <\/span>Lyriques<\/span>, named after the subtitle of Rameau\u2019s opera <\/span>Les F\u00eates <\/span>d\u2019H\u00e9b\u00e9<\/span><\/em> (1739), was founded in 1991 by harpsichordist and conductor <\/span>Christophe <\/span>Rousset<\/span>.<\/span><\/p>\n

Championing a broad vocal and instrumental repertoire spanning from the early Baroque to the dawn of Romanticism, Les Talens <\/span>Lyriques<\/span> aims to shed new light on the great masterpieces of music history through the lens of rare or previously unperformed works\u2014true missing links in Europe\u2019s musical heritage. <\/span>Their<\/span> musicological and editorial work is a key priority for the ensemble and plays a major role in its reputation.<\/span><\/p>\n

The ensemble\u2019s repertoire ranges from Monteverdi (<\/span>L\u2019Incoronazione<\/span> di <\/span>Poppea<\/span>, <\/span>Il <\/span>Ritorno <\/span>d\u2019Ulisse<\/span> in patria<\/span>, <\/span>L\u2019Orfeo<\/span><\/em>), Cavalli (<\/span>La <\/span>Didone<\/span>, <\/span>La Calisto<\/span><\/em>), <\/span>Landi<\/span> (<\/span>La <\/span>Morte<\/span> d\u2019Orfeo<\/span><\/em>), <\/span>Pallavicino<\/span> (<\/span>Le <\/span>amazzoni<\/span> nell\u2019isole<\/span> fortunate<\/span><\/em>), <\/span>Legrenzi<\/span> (<\/span>La <\/span>divisione<\/span> del Mondo<\/span><\/em>), to <\/span>H<\/span>\u00e4<\/span>ndel <\/span>(<\/span>Scipione<\/span>, <\/span>Riccardo Primo<\/span>, <\/span>Rinaldo<\/span>, <\/span>Admeto<\/span>, <\/span>Giulio Cesare<\/span>, <\/span>Serse<\/span>, <\/span>Arianna in Creta<\/span>, <\/span>Tamerlano<\/span>, <\/span>Ariodante<\/span>, <\/span>Semele<\/span>, <\/span>Alcina<\/span>, <\/span>Agrippina<\/span>, <\/span>Saul<\/span>, <\/span>Messiah<\/span>, <\/span>Jephtha<\/span>, <\/span>Orlando<\/span><\/em>), through to Lully (<\/span>Pers\u00e9e<\/span>, <\/span>Roland<\/span>, <\/span>Bell\u00e9rophon<\/span>, <\/span>Pha\u00e9ton<\/span>, <\/span>Amadis<\/span>, <\/span>Armide<\/span>, <\/span>Alceste<\/span>, <\/span>Isis<\/span>, <\/span>Th\u00e9s\u00e9e<\/span>, <\/span>Atys<\/span>, <\/span>Proserpine<\/span>, <\/span>Cadmus et Hermione<\/span><\/em>), <\/span>Desmarest<\/span> (<\/span>Didon<\/span>, <\/span>V\u00e9nus<\/span> et Adonis<\/span><\/em>), <\/span>Mondonville<\/span> (<\/span>Les F\u00eates de <\/span>Paphos<\/span><\/em>), <\/span>Cimarosa<\/span> (<\/span>Il Mercato di <\/span>Malmantile<\/span>, <\/span>Il <\/span>Matrimonio<\/span> segreto<\/span>, <\/span>L\u2019Olimpiade<\/span><\/em>), <\/span>Traetta<\/span> (<\/span>Antigona<\/span>, <\/span>Ippolito ed Aricia<\/span>, <\/span>Ifigenia<\/span> in <\/span>Tauride<\/span><\/em>), <\/span>Porpora<\/span> (<\/span>Ifigenia<\/span> in <\/span>Aulide<\/span><\/em>), Jommelli (<\/span>Armida <\/span>abbandonata<\/span><\/em>), Mart\u00edn y Soler (<\/span>La <\/span>Capricciosa<\/span> corretta<\/span>, <\/span>Il <\/span>Tutore<\/span> burlato<\/span><\/em>), Mozart (<\/span>Mitridate<\/span>, <\/span>Die <\/span>Entf\u00fchrung<\/span> aus<\/span> dem <\/span>Serail<\/span>, <\/span>Cos\u00ec<\/span> fan <\/span>tutte<\/span>, <\/span>Die Zauberfl\u00f6te<\/span>, <\/span>La <\/span>clemenza<\/span> di Tito<\/span>, <\/span>Ascanio<\/span> in Alba<\/span><\/em>), Gassmann (<\/span>L\u2019Opera<\/span> seria<\/span><\/em>), Salieri (<\/span>La <\/span>Grotta<\/span> di <\/span>Trofonio<\/span>, <\/span>Les <\/span>Dana\u00efdes<\/span>, <\/span>Les <\/span>Horaces<\/span>, <\/span>Tarare<\/span>, <\/span>Armida<\/span>, <\/span>Cublai<\/span> gran Kan de\u2019 <\/span>Tartari<\/span><\/em>), Rameau (<\/span>Zoroastre<\/span>, <\/span>Castor et Pollux<\/span>, <\/span>Les <\/span>Indes<\/span> galantes<\/span>, <\/span>Plat\u00e9e<\/span>, <\/span>Pygmalion<\/span><\/em>), Gluck (<\/span>Bauci<\/span> e <\/span>Filemone<\/span>, <\/span>Alceste<\/span>, <\/span>Orph\u00e9e<\/span> et Eurydice<\/span>, <\/span>Armide<\/span><\/em>), Beethoven, and finally Cherubini (<\/span>M\u00e9d\u00e9e<\/span><\/em>), Garc\u00eda (<\/span>Il <\/span>Califfo<\/span> di Bagdad<\/span><\/em>), Berlioz, Massenet, Gounod (<\/span>Faust<\/span><\/em>), <\/span>Spontini<\/span> (<\/span>La <\/span>Vestale<\/span><\/em>), Saint-Sa\u00ebns, Louise <\/span>Bertin<\/span> (<\/span>Fausto<\/span><\/em>), and even Schubert (complete symphonies).<\/span><\/p>\n

The revival of these works goes hand-in-hand with close collaborations with stage directors and choreographers including Pierre Audi, Jean-Marie <\/span>Vill\u00e9gier<\/span>, David McVicar, Eric <\/span>Vigner<\/span>, <\/span>Ludovic<\/span> Lagarde, <\/span>Mariame<\/span> Cl\u00e9ment, Jean-Pierre Vincent, Macha <\/span>Make\u00efeff<\/span>, Laura <\/span>Scozzi<\/span>, Natalie van Parys, <\/span>Marcial<\/span> di Fonzo Bo, Claus <\/span>Guth<\/span>, Robert Carsen, David Hermann, Christof Loy, <\/span>Jetske<\/span> Mijnssen<\/span>, Alban Richard, David Lescot, <\/span>Phia<\/span> M\u00e9nard<\/span>, Calixto <\/span>Bieito<\/span>, Laurent Pelly, Jeanne <\/span>Desoubeaux<\/span>, Damiano <\/span>Michieletto<\/span>, Dmitri <\/span>Tcherniakov<\/span>, and Max Emanuel <\/span>Cen\u010di\u0107<\/span>.<\/span><\/p>\n

Beyond the operatic repertoire, the Ensemble explores other genres such as the madrigal, cantata, air de <\/span>cour<\/span>, symphony, and the vast sacred music repertoire (Masses, motets, oratorios, Tenebrae Lessons\u2026). Season after season, Les Talens <\/span>Lyriques<\/span> performs<\/span> around the world, in formations ranging from a handful of musicians to over sixty performers of all generations.<\/span><\/p>\n

The 2025\u20132026 season of Les Talens <\/span>Lyriques<\/span> is titled <\/span>\u201cLove Stories\u201d<\/span>. Christophe <\/span>Rousset<\/span>and the ensemble explore different facets of love through emblematic works and exciting rediscoveries: <\/span>Ifigenia<\/span> in <\/span>Tauride<\/span><\/em> by Tommaso <\/span>Traetta<\/span>, <\/span>Orlando<\/span><\/em> by <\/span>H<\/span>\u00e4<\/span>ndel<\/span>, <\/span>L\u2019Opera<\/span> seria<\/span><\/em> by Gassmann, <\/span>Ascanio<\/span> in Alba<\/span><\/em> and <\/span>La <\/span>Clemenza<\/span> di Tito<\/span><\/em> by Mozart. The season also sees the conclusion of the remarkable complete recording of Lully\u2019s <\/span>trag\u00e9dies<\/span> lyriques<\/span> with <\/span>Cadmus et Hermione<\/span><\/em>, to be heard in concert at the <\/span>Philharmonie<\/span> de Paris.<\/span><\/p>\n

A new partnership is also launching this season between the Ensemble, the Salle <\/span>Cortot<\/span>, and the \u00c9cole <\/span>Normale<\/span> de Musique de Paris: Les Talens <\/span>Lyriques<\/span> will offer public masterclasses and themed, annotated concerts.<\/span><\/p>\n

Les Talens <\/span>Lyriques<\/span> now boasts a rich discography of over 100 recordings released on Erato, <\/span>Fnac<\/span> Music, <\/span>Auvidis<\/span>, Decca, Na\u00efve, <\/span>Ambroisie<\/span>, Virgin Classics, <\/span>Ediciones<\/span> Singulares<\/span> (PBZ), <\/span>Outhere<\/span>, Ch\u00e2teau Versailles Spectacles (CVS), and <\/span>Apart\u00e9<\/span>. The ensemble also recorded the famous soundtrack to G\u00e9rard <\/span>Corbiau\u2019s<\/span> film <\/span>Farinelli<\/span><\/em> (1994), which sold over one million copies.<\/span><\/p>\n

The season will feature two new album releases: <\/span>Proserpine<\/span><\/em> by Lully (Ch\u00e2teau de Versailles Spectacles) and <\/span>Ifigenia<\/span> in <\/span>Tauride<\/span><\/em> by Tommaso <\/span>Traetta<\/span> (<\/span>Apart\u00e9<\/span>).<\/span><\/p>\n

Since 2007, the ensemble has introduced students to music through a wide-ranging <\/span>programme<\/span> of ambitious artistic projects and innovative educational initiatives. Les Talens <\/span>Lyriques<\/span> have been in residence in schools across Paris and the \u00cele-de-France region for over 15 years, running orchestra classes and a broad cultural outreach <\/span>programme<\/span>. Their three educational apps, <\/span>t@lenschool<\/span>, have generated great enthusiasm and have won multiple French and international awards.<\/span><\/p>\n

Les Talens <\/span>Lyriques<\/span> have also launched a music therapy <\/span>programme<\/span> in the palliative care unit at the Toussaint Clinic in Strasbourg.<\/span><\/p>\n

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[Mandatory Mentions:]<\/span>
\n<\/span>Les Talens <\/span>Lyriques<\/span> are supported by the Ministry of Culture \u2013 DRAC \u00cele-de-France, the City of Paris, and the Cercle des <\/span>M\u00e9c\u00e8nes<\/span>.<\/span>
\n<\/span>The Ensemble thanks its major patrons, notably the <\/span>GRoW<\/span> @ Annenberg Foundation \u2013 Gregory and Regina Annenberg Weingarten, and the <\/span>Fondation<\/span> d\u2019entreprise<\/span> Soci\u00e9t\u00e9 G\u00e9n\u00e9rale.<\/span>
\n<\/span>The Ensemble regularly receives support for its national and international reach and its recording projects from the Centre National de la Musique.<\/span>
\n<\/span>Since 2011, Les Talens <\/span>Lyriques<\/span> has been an associate artist in residence at the <\/span>Fondation<\/span>Singer-Polignac.<\/span>
\n<\/span>Les Talens <\/span>Lyriques<\/span> are members of <\/span>Sc\u00e8ne<\/span> Ensemble (professional <\/span>organisation<\/span> for the performing arts) and FEVIS (Federation of <\/span>specialised<\/span> vocal and instrumental ensembles).<\/span><\/p>\n


\n<\/span>This document is regularly updated. Please request the latest version before use.<\/span>
\n<\/span>\u00a9 Les Talens <\/span>Lyriques<\/span> \u2013 May 2025 \u2013 Do not modify without permission.<\/span><\/em><\/p>\n

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\r\n\t\t\t\t\t[vc_column_text css=”” title=”Love Stories” subtitle=”Season 25\/26″ subtitle_color=”#FDC60D”]<\/p>\n
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In this new 25\/26 season, Christophe Rousset and Les Talens Lyriques explore the different facets of love through emblematic works and beautiful rediscoveries: Ifigenia in Tauride<\/em> by Tommaso Traetta, Orlando<\/em> by Handel. Gassmann’s L’Opera seria<\/em>, Mozart’s Ascanio in Alba<\/em> and La Clemenza di Tito<\/em>. This season will also see the conclusion of Lully’s incredible complete lyric tragedies with the recording of Cadmus et Hermione<\/em>, to be heard in concert at the Philharmonie de Paris.<\/p>\n

This season will also see the birth of a partnership between the Ensemble, the Salle Cortot and the Ecole Normale de Musique de Paris: the Talens Lyriques will be offering public masterclasses and themed concerts with commentary.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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\r\n\t\r\n\t\tCheck out our brochure\t<\/a>\r\n<\/div>\r\n
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\n \n Christophe's Edito <\/a>\n <\/div>\n\n\n\t
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\r\n\tChristophe Rousset's Edito for the 25\/26 season<\/div>\r\n\r\n

In a world where certainty seems ever more elusive, the lively and richly woven season ahead with Les Talens Lyriques promises a welcome escape. The 2025\/26 season will be filled with opera \u2013 no surprise there \u2013 and as always in opera, love is the beating heart of the drama.
\nSometimes it\u2019s love fulfilled : Ascanio (the son of Aeneas) and the shepherdess Silvia ; Cadmus and Hermione ; Angelica and Medoro. And sometimes, as we know all too well, it\u2019s love troubled, love unrequited \u2013 Sesto for Vitellia, Orlando for Angelica, Pluto for Proserpina. Love takes many forms. It can be driven by self-interest, as in Gassmann\u2019s L’Opera Seria, where a soprano compromises herself in rehearsal, desperate to secure a role. But it can also be the pure devotion between siblings,
\nas with Orestes and Iphigenia. Or the fierce, aching love of a mother \u2013 Ceres, watching helplessly as her daughter is stolen away.
\nThis new season will come alive with concerts too. It brings me back to Monteverdi and Cavalli, my two faithful companions over the years. And there will be moments of discovery \u2013 Legrenzi, whose music still flies under the radar, but who deserves to be heard. There\u2019s also an exciting programme of symphonies from the revolutionary era, to coincide with
\nthe major Jacques-Louis David exhibition at the Louvre.
\nOf course, I must mention the tireless work of our teams with our partner schools. Les Talens Lyriques has always believed in sharing music \u2013 not just on grand stages, but in classrooms, too. Carried by love for the music and the desire to pass it on, we work closely with students in secondary schools around Paris. Each rehearsal we share becomes its own kind of love letter to this art form: a moment when young eyes brighten, when hearts begin to beat a little faster. Seeing these young people discover opera for the first time, watching their sense of wonder grow \u2013 it\u2019s a source of endless inspiration for us, and for their teachers as well.
\nI couldn\u2019t do any of this without offering my heartfelt thanks to our public partners, and to our major patrons, including Regina and Gregory Weingarten of the GRoW@Annenberg Foundation ; and the Fondation d\u2019entreprise Soci\u00e9t\u00e9 G\u00e9n\u00e9rale, whose support has stood by us for nearly seven years. And of course, the Cercle des M\u00e9c\u00e8nes des Talens, which continues to grow. Your loyalty is a powerful affirmation of our work \u2013 on stages across France and beyond, in schools, and even in hospitals, with our cherished project at the Clinique de la Toussaint in Strasbourg.
\nWe must never forget: music is a door that opens onto another
\nworld. It has an extraordinary power to console and to heal. It stirs me at the harpsichord, and when I stand before my Ensemble. And it allows me to weave deep, subtle connections \u2013 with you, our faithful audience, and with the artists who make this adventure possible.<\/p>\n

Amor vince ogni cosa !<\/p>\n<\/div> <\/div>\n <\/div>\n <\/div>\n[\/vc_column_inner][\/vc_row_inner]\t\t\t\t<\/div>\r\n\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t<\/div>[\/vc_column][\/vc_row][vc_row content_placement=”middle” el_id=”block4″][vc_column width=”1\/2″][vc_column_text css=”” btn_style=”style_1″ title=”A rich discography” subtitle=”NEW” subtitle_color=”#FDC60D” link=”url:https%3A%2F%2Fwww.lestalenslyriques.com%2Fen%2Fnotre-discographie%2F|title:Discover%20the%20discography”]<\/p>\n

Les Talens Lyriques\u2019 extensive discography now includes over 100 recordings, released by labels such as Erato, Fnac Music, Auvidis, Decca, Na\u00efve, Ambroisie, Virgin Classics, Ediciones Singulares (PBZ), Outhere, Ch\u00e2teau de Versailles Spectacles (CVS), and Apart\u00e9. The ensemble also produced the iconic soundtrack to G\u00e9rard Corbiau\u2019s film Farinelli<\/em> (1994), which has sold over a million copies worldwide.<\/p>\n

A major highlight of 2026 will be the culmination of a long-standing, passionate artistic journey: the concert and recording of Cadmus et Hermione<\/em>, marking the final chapter in the ensemble\u2019s complete Lully cycle\u201425 years after it began with Pers\u00e9e<\/em> in 2001. This production will be presented as part of a new joint residency with the Philharmonie de Paris and the Centre de musique baroque de Versailles.<\/p>\n

The coming season will also see the release of four new recordings by Christophe Rousset and Les Talens Lyriques, including Proserpine<\/em> by Jean-Baptiste Lully (Ch\u00e2teau de Versailles Spectacles, May 2026) and the world premiere of Ifigenia in Tauride<\/em> by Tommaso Traetta (Apart\u00e9, Spring 2026).<\/p>\n

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\"erato\"<\/div>
\"decca\"<\/div> <\/div>\n <\/div>\n
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\"auvidis\"<\/div>
\"vers\"<\/div> <\/div>\n <\/div>\n
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\"virgin\"<\/div>
\"naive\"<\/div> <\/div>\n <\/div>\n <\/div>\n<\/div>\n[\/vc_column][\/vc_row][vc_row][vc_column width=”1\/12″][\/vc_column][vc_column width=”5\/6″][vc_column_text css=”” align=”center” title=”Our supporters” subtitle=”PARTNERS” subtitle_color=”#FDC60D”]The ensemble Les Talens Lyriques receives subsidies from the French Ministry of Culture-Drac Ile-de-France and the City of Paris, and generous support from its Circle of Patrons. The ensemble wishes to thank its principal Patrons, notably the Annenberg Foundation \/ GRoW – Gregory and Regina Annenberg Weingarten and La Foundation d’entreprise Soci\u00e9t\u00e9 G\u00e9n\u00e9rale.<\/p>\n

Since 2011 Les Talens Lyriques have been associate artists, in residence at the Singer-Polignac Foundation in Paris.[\/vc_column_text][\/vc_column][vc_column width=”1\/12″][\/vc_column][\/vc_row][vc_row][vc_column]

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