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“There were, broadly, two different types of keyboard music prevalent through what we now call the Baroque period, both with origins stretching back past the monodic revolution of around 1600 (which, though in some respects the starting-point of a new musical epoch, is of little significance here). (…)”<\/p>\n

Clifford Bartlett<\/strong><\/p>\n","protected":false},"featured_media":3213,"menu_order":229,"template":"","class_list":["post-3216","discographie","type-discographie","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"\nPartitas, BWV 825 - 830 | Les Talens Lyriques<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.lestalenslyriques.com\/en\/discographie\/partitas-bwv-825-830\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Partitas, BWV 825 - 830 | Les Talens Lyriques\" \/>\n<meta property=\"og:description\" content=\"“There were, broadly, two different types of keyboard music prevalent through what we now call the Baroque period, both with origins stretching back past the monodic revolution of around 1600 (which, though in some respects the starting-point of a new musical epoch, is of little significance here). 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